Kasteel Wijlre
Present Future Past
Klaas Kloosterboer – Act between sliding doors
01.03.2020 — 01.11.2020
Hedge House

'To be an artist is to take people on an adventure, or to have an adventure yourself and hoping that others will follow' Klaas Kloosterboer.

Kasteel Wijlre presents a solo exhibition by artist Klaas Kloosterboer (1959) in the Hedge House art pavilion. The exhibition surveys thirty years of his practice.

Chaim van Luit & Jo Eyck – Conversations #2
05.03.2020 — 01.11.2020
Coach House

In this second edition of the Conversations long-term programme, Kasteel Wijlre estate presents a solo exhibition by artist Chaim van Luit (1985, Heerlen). This exhibition focuses on a dialogue between Chaim van Luit and Jo Eyck (1929, Heerlen), art collector and founder of the country estate.

Giuseppe Penone – Giardino Eyck
05.03.2020 — 01.11.2020

Kasteel Wijlre’s woods has two permanent artworks by Giuseppe Penone (1947, Garessio, IT): Pathway Tree and Bronze Tree (1997). This presentation in the Coach House features the original designs, moulds, photography and printed matter from the artwork’s realization.

P. Struycken – Colour: Profusion and Variability 10.03.2019 — 10.11.2019
Castle, Hedge House, Coach House, Garden, Salon

Transformation of the Hedge House

On the occasion of P. Struycken's eightieth birthday, Kasteel Wijlre estate shall realise a unique transformation of the Hedge House. The transformation consists of a painting that covers all of the building's floors, walls and ceiling. The red, black and white areas of colour will change the experience of the architecture of Wiel Arets, who designed the Hedge House. Struycken already designed such a transformation in 2005 as part of the exhibition A Guest + a Host = a Ghost at the Kasteel Wijlre estate. Struycken has never before realised a painted work on this scale, and for the first time, the Hedge House is using its space for a spatially all-encompassing artwork.

Coach House Solo Exhibition and Open Castle

Alongside the transformation of the Hedge House, a solo exhibition of Struycken will also take place in the estate's Coach House. And for the first time since the establishment of Kasteel Wijlre, the castle itself will be open to the public. Jo and Marlies Eyck, the castle's residents, will open their doors every Sunday. Visitors can admire a three-dimensional colour space by Struycken in the form of jacquard woven curtains all around the dining room. The exhibition in the Coach House presents Struycken the pioneer, who, since 1969, has been using computer technology to create art. In the 1980s he began developing programs to generate dynamic three-dimensional colour spaces and vibrant lighting for architecture. The exhibition includes his first computer works such as LINE from 1977 and VARA from 1989 and his most recent work.

P. Struycken

Struycken makes work in the tradition of geometric abstraction, based on patterns and systems. On the one hand, he visually examines the relationship between colours, and on the other, he uses algorithms to change the place of colour in space and time. The rapid development of digital technology has enabled him to handle increasingly complex programming, resulting in images of a greater visual directness. This is made possible using software by D. Groot, F. Van Manen (Klankschap), and D. Dekkers (cThrough). The outward form of his work ranges from the geometric abstract to the spatially hallucinatory, resulting in associations to natural phenomena due to its similarity in visual variation.

As well as working in various media, such as painting, drawing, and moving image, Struycken's works are also applied to architecture, theatre, and music. In 1981, Struycken designed a famous postage stamp with a portrait of the then Queen Beatrix, made up of numerous dots in equal sizes. It was a unique design in Struycken's oeuvre since figuration doesn't typically feature in his work.

Collaboration with the Groninger Museum

Kasteel Wijlre estate will collaborate on this project with the Groninger Museum. From 29 June 2019 up to and including 9 June 2020, they will be showing a work that Struycken created especially for the Coop Himmelb(l)au Pavilion, for which he developed a 'dynamic colour image' that is projected onto five large screens and is based on the composition ... explosante fixe ... (1971/93) by the French composer Pierre Boulez.

Kasteel Wijlre estate's strong bond with Struycken reaches back several decades. The art collectors and founders of Kasteel Wijlre, Jo and Marlies Eyck, purchased Struycken's early works in which colours are the building blocks in vivid and often hypnotic compositions. Struycken was one of the first artists to use computer technology to design his work and has been one of the most prominent artists in the Netherlands since the 1960s.

05.07.2018 — 18.11.2018
Hedge House, Coach House, Garden, Salon

Kasteel Wijlre presents, in collaboration with Lismore Castle Arts (Ireland), the international group exhibition Traces. With works by 10 contemporary artists, whose contributions are interwoven with artworks from the (former) collection of Jo and Marlies Eyck, Traces explores relationship between art and nature. The exhibition is presented in the Hedge House, the Coach House and the Garden.

With: Jean-Marc Bustamante – Alan Butler – Ger van Elk – Anne-Charlotte Finel – Michel François – Noémie Goudal – Martin Healy – Siobhán Hapaska - Tony Matelli – Giuseppe Penone – Diana Scherer – Thomas Trum – Sanne Vaassen – Michael John Whelan.

Tim Eitel: Resident
08.03.2018 — 10.06.2018
Hedge House

Kasteel Wijlre estate presents the first solo exhibition in the Netherlands by visual artist Tim Eitel (1971, Leonberg (DE)). Over the past fifteen years, Tim Eitel has given a new impetus to painting in the contemporary art world.

je marche, j’ouvre une porte, je ferme une porte
08.03.2018 — 10.06.2018
Coach House

‘What is the brain, if not an immense and natural palimpsest? Such a palimpsest is my brain; such a palimpsest, oh reader! is yours. Everlasting layers of ideas, images, feelings, have fallen upon your brain softly as light.’

The visitor is invited to enter Kasteel Wijlre’s 18th-century Coach House for an exhibition exploring this idea of Charles Baudelaire. On both floors, the interlinked spaces include works by ten international artists. The works share a complex character, discreetly transcending their disciplines while conveying distinctive narratives.

With: Eylem Aladogan, Katinka Bock, Daniel Gustav Cramer, Aurélien Froment, Navid Nuur, Takashi Tawashima, Roman Ondák, Dominique Petitgand, Francisco Tropa, Clemens von Wedemeyer

Colouring – Guido Geelen
16.07.2017 — 12.11.2017
Hedge House, Garden

The exhibition Colouring consists of a unique overview of twenty chalices which Guido Geelen (Thorn, 1961) has made during his artistic career.

Since the 1980s, sculptor Guido Geelen has consistently given new impetus to Dutch ceramics. Estate founders Jo and Marlies Eijck bought Geelen’s first chalice piece in 1988. This work in red baked clay formed the starting point for a series of now twenty chalices, presented together for the first time in this exhibition. For this occasion, Geelen has made four new chalices.

In the forest of the estate, a monumental installation is installed as a reflection of the exhibition in the Hedge House.

Conversations #1 Esther Janssen – Miriam Gossing & Lina Sieckmann
16.07.2017 — 12.11.2017
Coach House

Conversations #1 is the first edition of a multi-year programme at the Coach House of Kasteel Wijlre estate. Each edition features two or three artists, filmmakers, architects, or designers, all born and raised in the Euroregion, at different phases of their careers.

Conversations #1 features the work of filmmakers Miriam Gossing (Siegburg (DE), 1988) & Lina Sieckmann (Engelskirchen (DE), 1988) and visual artist Esther Janssen (Maastricht, 1976).

Cut, Split & Eat – Gordon Matta-Clark (1943–1978)
12.03.2017 — 02.07.2017
Hedge House, Coach House

Kasteel Wijlre estate presents a unique project about one of the greatest avant-garde legends of the twentieth century: Gordon Matta-Clark.

At the Hedge House contemporary art pavilion, the project includes a special selection of many previously unseen collages, personal objects, photographs, drawings, and video works. In the historic Coach House, there is a reconstruction of his culinary project FOOD (SoHo, New York (1971–1974)), including dinners and lectures.

Kamer Eijck
20.03.2016 — 02.07.2017
Coach House

A special permanent addition to the Kasteel Wijlre estate’s presentation spaces is the Kamer Eijck.

Finissage with Marja Bloem and Flor Bex
30.06.2017 — 17:30
Coach House

On the occasion of the final weekend of Cut, Split & Eat, a festive finissage will be organised on 30 June at 17:30hrs. During this finissage, Marja Bloem (former conserver of the Stedelijk Museum Amsterdam) will talk about de relationship between food and art in the work of Gordon Matta-Clark and his colleagues, and Flor Bex will share his memories about the collaboration with Gordon Matta-Clark for the project Office Baroque. During the finissage, small dishes and drinks will be served in the spirit of the culinary artistic project FOOD, that Carol Goodden led with Gordon Matta-Clark from 1971 until 1973 in New York.

Please note the finissage is fully booked.

Dinner lecture Gordon Matta-Clark with Carol Goodden
19.05.2017 — 17:30
Coach House

On May 19, Carol Goodden (FOOD co-founder, artist, and former dancer with the Trisha Brown Dance Company) talked about her artistic collaboration with Gordon Matta-Clark. During a conversation with art collector Harold Berg,  she shared memories about the culinary project FOOD and living and working with Gordon Matta-Clark. Meanwhile, a three course dinner was served. The dinner lecture will took place in the Coach House, where a reconstruction of the FOOD project is shown with accompanying documentation and documentaries.

Lecture Carol Goodden at the Van Eyck
18.05.2017 — 20:00

Until 2 July, Kasteel Wijlre estate presents the exhibition Cut, Split & Eat about Gordon Matta-Clark (1943–1978) – one of the avant-garde legends of the seventies. As part of this project, Kasteel Wijlre estate invited Carol Goodden, former partner of Gordon Matta-Clark and dancer with the Trisha Brown Dance Company, for a programme of events in Maastricht and Wijlre.

What About a Garden
10.04.2016 — 30.10.2016
Hedge House, Coach House, Garden

What About a Garden examines the significance of the garden for our thinking and agency. A garden can be enchanting; it can comfort, calm, and relax. However, gardens can also unsettle and provoke. The tension between growth and decline, awareness and unknowingness, and stagnation and life, unearths the garden’s inherent conflicts; a friction synonymous with one’s being and spirit.

Family Tree – Contemporary Chinese Art from the Sigg Collection
10.07.2016 — 30.10.2016
Hedge House

Family Tree – Contemporary Chinese Art from the Sigg Collection was the first time Chinese art is shown at the Kasteel Wijlre estate.

Kim Zwarts – Compositions Trouvées
24.03.2016 — 03.07.2016
Hedge House

In autumn 2014, as part of the artist residency programme at Contretype, the Brussels centre for contemporary photography, Maastricht-based photographer Kim Zwarts (1955) studied the genius loci of the peristyle of the Brussels Palais de Justice.  The resulting 53 photographs were presented at the Hedge House in dialogue with a selection of 14 large-scale prints from his long-term American project, US.0916, which Zwarts worked on from 2009 to 2016.

Stephen Wilks – Bottle River (Vessels)
10.09.2015 — 15.11.2015
Hedge House

This monumental installation by Stephen Wilks reflects on the balance between nature, humankind, and our living environment.

TruCost Super-M-Art
27.09.2015 — 15.11.2015
Coach House

On the ground floor of the Coach House, Kasteel Wijlre estate in cooperation with the Plastic Soup Foundation presented the installation TruCost Super-M-Art by the artist duo Dirty Beach. The installation also provided the setting for an education programme. The TruCost Super-M-Art exhibition demonstrated, in a confrontational manner, how waste is removed from rivers and seas. At first sight, it seems like any other supermarket.

Ričardas Vaitiekūnas
26.03.2015 — 28.06.2015
Hedge House

A solo exhibition of work by Lithuanian painter Ričardas Vaitiekūnas, featured paintings from different periods of his eventful career and curated by guest curator Kestutis Šapoka. Vaitiekūnas (1940) lives and works in Vilnius.

The Mystic Gardener
11.09.2014 — 02.11.2014
Hedge House

Despite being world aware, the ten artists in The Mystic Gardener exhibition explore, seemingly stoically, the inscrutability of art and their work in dialogue with nature.

Ad Dekkers 1938-1974
17.03.2014 — 29.06.2014
Hedge House

The exhibition Ad Dekkers (1938–1974) marked Jo and Marlies Eijck’s strong commitment to the artist Ad Dekkers, whose work formed the heart of their collection. In a relatively short period from the mid-sixties to 1974, Ad Dekkers built an interesting and influential oeuvre of reliefs, sculptures, and drawings in which the means of the image (colour, shape, line) are brought back to its essence.

29.08.2013 — 27.10.2013
Hedge House

(T)HERE, curated by Ko van Dun, was an exhibition based on the collection of the ART21 collector’s group and is supplemented by loans from the collections G+W and the Bonnefantenmuseum (acquired from the Jo and Marlies Eijck Collection). (T)HERE was an exhibition about an increasingly complex and layered world, including images from far and near, real or virtual, and imagined and seen. The exhibition featured artists with a strong commitment to today’s world. Looking for new relationships, and using the imagination as a tool, they try to penetrate deeper into a complex reality.

Far from the Madding Crowd
25.04.2013 — 14.07.2013
Hedge House

Far from the Madding Crowd was an exhibition about paradoxical moments of isolation and exclusion in crowds.

Calenders Baer Cornet
16.07.2017 — 12.11.2017
Coach House

A selection of graphic designer Baer Cornet’s calendars for Verfindustrie Jac Eyck (Jac Eyck Paint Industry), designed between 1978 and 2000, will be displayed in the Salon of the Coach House until 12 November. Baer Cornet’s designs are characterised by the use of primary colours and white and a restricted number of sans-serif typefaces such as Monotype Grotesque, Frutiger, Futura, and Gill.

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